Tuesday, January 28, 2014

The Little WAC remembers Pete Seeger



(CNN)
-- Pete Seeger, the man considered to be one of the pioneers of contemporary folk music who inspired legions of activist singer-songwriters, died Monday.
He was 94.
Seeger's best known songs include "Where Have All the Flowers Gone," "Turn! Turn! Turn! (To Everything There Is a Season)" and "If I Had a Hammer (The Hammer Song)."
But his influence extended far beyond individual hits.

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His grandson Kitama Cahill Jackson told CNN that the singer died of natural causes at New York Presbyterian Hospital on Monday evening.
Familiar with controversy
In a career spanning more than 70 years, Seeger frequently courted controversy.
"He lived at a time when so many things hadn't been done yet, the idea of making music about something hadn't really been done," Jackson said. "And now people do it all the time."
Seeger's opinions didn't always sit well with authorities.
"From the start, he aspired to use folk music to promote his left-wing political views, and in times of national turmoil that brought him into direct confrontation with the U.S. government, corporate interests, and people who did not share his beliefs," William Ruhlmann wrote in a biography on allmusic.com. "These conflicts shaped his career."
Early career
In 2009, Seeger talked to CNN about the beginnings of his music career in the late 1930s.
"I come from a family of teachers, and I was looking for a job on a newspaper and not getting one," he said in the interview. "I had an aunt who said, 'Peter, I can get five dollars for you if you come and sing some of your songs in my class.' Five dollars? In 1939, you would have to work all day or two days to make five dollars. It seemed like stealing."
But Seeger said he took his aunt up on the offer.
"Pretty soon I was playing school after school, and I never did work on a newspaper," he said "You don't have to play at nightclubs, you don't have to play on TV, just go from college to college to college, and the kids will sing along with you."
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From Raymond Tyler
"Up until today whenever I heard a banjo playing, I thought about Gran Pa Jones from Hee Haw.
Like Jone's , the music of Pete Seeger has been a part of my life all my life. I believe I was first introduced to his music in kindergarten. I became aware of Seeger's activism in junior high.

Today the world seems a lot colder and quieter with out Mr. Seeger voice and music.

Starting now whenever I hear a banjo, I will think about Pete Seeger and his wonderful show Rainbow Quest.
 


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Monday, January 13, 2014

Why Martin Lawrence Should Be The Next To Return To TV

Let's Do It Again...words by Raymond Tyler!
 
On August 27th, 1992 Martin debuted on The Fox Network.
 
The series ran until 1997 with new episodes. However, the show has never been OFF the air since it's debut. (Running successfully in re runs.)
 
 
I am glad to say that Arsenio Hall is back and really hitting a great stride in late night TV as only Hall can.Since Hall left there have been a host of late night talk shows that tried with varying degree to do what The Arsenio Hall Show of the 1990's excelled at.


Likewise, there have been a bunch of networks most of them past history and shows that have tried to capture the magic and comedy success of Martin.
 
 
Here are my reasons why Martin and how Martin should return to the TV waves.
 
 
1. FOX and TBS should be fighting over bring Martin Lawrence back to TV.
I would however feel better with the show airing on TBS. Five years ago I would have said FOX because they have put together a number of incredible shows like Getting Personal and Damon (Damon Wayans' first show before My Wife and Kids.)

However if I am bringing Martin back today, I would place the show on TBS. TBS has brilliantly leveraged their re runs of the popular Big Bang Theory and the late night show Conan to produce a prime chunk of air time for half hour gems of  original comedies (my favorites being Ground Floor and Men At Work.)
 
 
The New Martin Show would be on a little late compared to 8pm or 9pm when he originally ran, but this is the 21st century. Original Martin fans like me would catch up through streaming online. Plus TBS re runs their original programming on the weekends sandwiched between other very popular re run shows like Friends.
 
In short TBS would get the most back on their investment in a new Martin and would support it better than FOX would.

In fact if Fox did bring Martin back rather than sure up the new shows success they would use Martin to help gain viewers for the rest of their corny schedule.
2. Bring Back as Much as The Original Cast As Possible-

Hey when it comes to chemistry why fix what is not broke?
See if anything can be done to get Martin Lawrence and Tisha Campbell to play nice. If not? I hate to say but re cast the role of Gina or....replace the role of Gina.
The chemistry between Lawrence, Thomas M. Ford, Tichina Arnold and Carl Anthony Payne was pure magic and bringing their characters forward I am sure would be fun.

3. People Love Love and LOVE...Martin
A few years ago when Martin Season One was released on DVD, I thought it was dumbest idea yet, only because Martin is on several channels twice a day seven days a week.
To my surprise, the week after it was released it became the number one selling DVD release on the charts.

There is market for MARTIN.

4.The Re Runs air at least twice a day or more on TV One and MTV 2 and a few other channels. This number 4 just re enforces number 3.

5. The 1990's were THE ISH.
The 1990's was the last great decade before Reality TV spoiled TV Executives. There were great shows like Seinfeld and Friends that were allowed to run their course with the cast and with fans.


Then there are great shows like Martin and Living Single that were snatched off the air so that Fox could bring us Temptation Island.

Now is the time for these shows, actors, writers to usher in another great age of TV.

The Return of The Arsenio Hall Show is not a fluke but should be a sign that where  1990's TV is concerned television can be even better the second time around.




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Weekend South Jersey Remembers Amiri Baraka



This Friday January 17th, 2014 I am inviting one and all to join me as Weekend South Jersey pays tribute to
 ELDER AMIRI BARAKA.
It is no exaggeration to say that with out meeting him, there most likely would not be a Little Wellness Arts Center.

There are few people, poets or activists that I have ever shared time with or heard speak 
that have shown the depth of humanity, love for his fellow man, passion for justice and truth than Amiri Baraka.

The few times that I had spoke with him, always left me with life changing impressions and renewed my passion to use my pen to bring truth.

On Friday from 11am to 1pm people from across the country will be calling in and listening via the web at
www.WLFR.FM .

We have 3 generations of people that knew Amiri Baraka and were influenced by him that will share their words and stories.

I believe that even if you never personally met Amiri Baraka, that some one who has influenced you through art has.

Please tune in as we celebrate this wonderful dearly beloved elder!

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Thursday, January 9, 2014

The Little Wellness Arts Remembers Amiri Baraka a Literary Icon and Activist


We have just gotten word, that our dear, friend, our mentor, one of the biggest inspirations for the art center...Mr. Amiri Baraka has passed.

He was born Everett LeRoi Jones on Oct. 7, 1934, in Newark, N.J. A gifted student, he graduated from high school two years early and went to college at New York University and Howard University.

Mr. Baraka was 79 years old. We will have much more all this week into next week.
Next weekend the entire Weekend South Jersey radio broadcast will be dedicated to Amiri Baraka.
Stay Tuned As We will Continue To Celebrate and Remember The Life Of This Poet and Activist!
Raymond Tyler



Tuesday, January 7, 2014

The Little WAC remembers film maker RUN RUN SHAW

Info Courtesy Of The The New York Times.



Run Run Shaw, the colorful Hong Kong media mogul whose name was synonymous with low-budget Chinese action and horror films — and especially with the wildly successful kung fu genre, which he is largely credited with inventing — died on Tuesday at his home in Hong Kong. He was 106.
His company, Television Broadcasts Limited, announced his death in a statement.
Born in China, Mr. Shaw and his older brother, Run Me, were movie pioneers in Asia, producing and sometimes directing films and owning lucrative cinema chains. His companies are believed to have released more than 800 films worldwide.
After his brother’s death in 1985, Mr. Shaw expanded his interest in television and became a publishing and real estate magnate as well. For his philanthropy, much of it going to educational and medical causes, he was knighted by Queen Elizabeth II and showered with public expressions of gratitude by the Communist authorities in Beijing.
Mr. Shaw enjoyed the zany glamour of the Asian media world he helped create. He presided over his companies from a garish Art Deco palace in Hong Kong, a cross between a Hollywood mansion and a Hans Christian Andersen cookie castle. Well into his 90s he attended social gatherings with a movie actress on each arm. And he liked to be photographed in a tai chi exercise pose, wearing the black gown of a traditional mandarin.
Asked what his favorite films were, Mr. Shaw, a billionaire, once replied, “I particularly like movies that make money.”
Run Run Shaw was born Shao Yifu in Ningbo, Zhejiang Province, in 1907. As a child, he moved to Shanghai, where his father ran a profitable textile business. According to some Hong Kong news media accounts, Run Run and Run Me were English-sounding nicknames the father gave his sons as part of a family joke that played on the similarity of the family name to the word rickshaw.
Evincing little interest in the family business, Run Run and Run Me turned instead to entertainment. The first play they produced was called “Man From Shensi,” on a stage, as it turned out, of rotten planks. As the brothers often told the story, on opening night the lead actor plunged through the planks, and the audience laughed. The Shaws took note and rewrote the script to include the incident as a stunt. They had a hit, and in 1924 they turned it into their first film.
After producing several more movies, the brothers decided that their homeland, torn by fighting between Nationalists and Communists, was too unstable. In 1927 they moved to Singapore, which was then part of British colonial Malaya.
Besides producing their own films in Singapore, the brothers imported foreign movies and built up a string of theaters. Their business boomed until the Japanese invaded the Malay Peninsula in 1941 and stripped their theaters and confiscated their film equipment. But according to Run Run Shaw, he and his brother buried more than $4 million in gold, jewelry and currency in their backyard, which they dug up after World War II and used to resume their careers.
With the rise of Hong Kong as the primary market for Chinese films, Run Run Shaw moved there in 1959, while his brother stayed behind looking after their Singapore business.
In Hong Kong, Run Run Shaw created Shaw Movietown, a complex of studios and residential towers where his actors worked and lived. Until then, the local industry had turned out 60-minute films with budgets that rarely exceeded a few thousand dollars. Shaw productions ran up to two hours and cost as much as $50,000 — a lavish sum by Asian standards at the time.
Mr. Shaw went on to plumb the so-called dragon-lady genre with great commercial success. Movies like “Madame White Snake” (1963) and “The Lady General” (1965) offered sexy, combative, sometimes villainous heroines, loosely based on historical characters. And by the end of the 1960s, he had discovered that martial-arts films in modern settings could make even more money.
His “Five Fingers of Death” (1973), considered a kung fu classic, was followed by “Man of Iron” (1973), “Shaolin Avenger” (1976) and many others. Critics dismissed the films as artless and one-dimensional, but spectators crowded into the theaters to cheer, laugh or mockingly hiss at the action scenes. To ensure that his films were amply distributed, Mr. Shaw’s chain of cinemas grew to more than 200 houses in Asia and the United States. “We were like the Hollywood of the 1930s,” he said. “We controlled everything: the talent, the production, the distribution and the exhibition.”
Other Hong Kong producers, directors and actors called Mr. Shaw’s methods iron-fisted. In 1970, Raymond Chow, a producer with Mr. Shaw’s company, Shaw Brothers, left to form his own company, Golden Harvest, which gave more creative and financial independence to top directors and stars.
 

Monday, January 6, 2014

The Little WAC Celebrates Zora Neal Hurston's Birthday

Words By Raymond Tyler

I come from a family of readers and my father had a copy of Their Eyes Were Watching God that is definitely an early edition is his library.
I recall seeing the title as a child and wanting to pick it up.
I however, always questioned whether I could hold my breath long enough to understand a book with a title as deep as Their Eyes Were Watching God?
 
Finally one day at a Border's I saw a copy on sale for about $5 and I figured it was time to add this classic to my own personal book collection.
 
Reading Their Eyes Were Watching God changed my life, before I had even finished it.
I marveled at the way Hurston married poetry to her prose.
In fact, I am glad that Hurston is not known as a poetry writer. If Hurston's poetry were as prolific, creative and textured as the prose from Their Eyes Were Watching God? I would probably have to give up my pen as a poet.
 
What also brought me great joy was to see that Hurston had very clearly influenced two of my favorite books TUMBLING by Diane McKinney Whetstone and ONLY TWICE I'VE WISHED FOR HEAVEN by Dawn Turner Trice (both books I had read before Their Eyes Were Watching God.)
 
I plan on sharing Their Eyes Were Watching God with my niece because I want her to become a great writer, and realize that the bar is a little higher than even her "dear old" Uncle Raymond.
 
While Hurston's writing still stands after all these years, Hurston is also rightly given a queen's status in history for taking her readers on a tour of her native Florida.
 
What press reporter David Simon did for Baltimore with HBO's The Wire, Hurston did in all of her novels for rural and black Florida. We were taken to the insides of juke joints, shacks and treated to God's own country through her prose. Hurston gave us access to the parts of Florida that you never see on the tour and she introduced us to the people that love Florida that you won't see in "The Society Pages."
 
Sadly, at the time of it's release many Black Intellectuals did not give Their Eyes Were Watching God the credit and praise it was due. Despite the powerful message of empowerment and freedom to young women and despite how grandly well written the book is, "the black establishment" of the time criticized Hurston for not writing a more direct and confrontational book.
 
I would like to think if I had been a columnist at the time I would have told my Black Intellectual Brothers to relax. We have a wealth of books and essays that attack the institutions of racism and classism in America. Their Eyes Were Watching God however, is a grand jewel of a book that teaches through experience and song rather than preaching and political speak. Their Eyes Were Watching God is a love story for Janie Starks, for Florida, for everyone that enjoys great writing, and for generations yet to learn the joy of reading.
 
The birthday of Zora Neal Hurston is truly a day worth celebrating.